Monthly Archives: December 2011

DIO: Do It Ourselves (In which I do my part to perpetuate one of those annoying catchphrase meme-thingies like a full-on social media dipshit)

Ronnie James Dio 1942 - 2010.

I am tempted to wrap up 2011 with some sort of epic jeremiad in which I dismiss the preceding twelve months as the year in which all hope was lost, and acknowledge that the 2012-dead-enders might be on to something. But I can’t write a better version of that than Mr. Kernohan already has… So I find myself in the unlikely position of poking through the embers in search of light and warmth.

And if I am wholly honest, this year-old Abject space is very much a product of 2011… While it is safe to say that this blog did absolutely nothing to make the world a better place, it did provide me with a space to get my hands into the gears of webwork again, to spew verbiage as I see fit. The readership here is miniscule, but if I had to draw up a select list of people whose work is most important to me, the ones I most want to interact with for inspiration and for laughs… well, I pretty much have that here. So if you have spun by this little lovenest of ed tech subversion for whatever reason, and especially if you ever cared to toss off a comment or a link, I truly appreciate it.

My bit of year-end good cheer is drawn from someone who has been in this field doing great work ever since I got here, Sebastien Paquet, who a few weeks back Tweeted:

The slight shift to “DIO” from “DIY” is obvious enough, and if I think about all the fun and all I learned this past year through, say, DS106, it’s equally obvious I didn’t do any of it myself. I can’t do anything by myself… but maybe I can help kick out the jams, because WE ROCK:

Onward to a loud and rowdy 2012 my friends. Nobody’s gonna do it for us, we’ll have to do it ourselves. Mess with the bull, you get the horns.

cc licensed ( BY NC ) flickr photo shared by D’Arcy Norman

I go there

Catching up on my RSS feeds, I enjoyed reading this post by Darren Barefoot about the “restricted cat” (or cougar), an oddly innocuous and kid-sweet warning about impending adult-only content:

Watching that cute pre-picture cat reminded me of when we lived in Hermosillo, Mexico in the late 90′s. We went to a lot of movies because they were fairly cheap and air-conditioned. The films often sucked, but I always loved the cute pre-picture cats that sang a song about the importance of not talking during movies, reminding us to turn off our cel phones. I can’t find the exact clip they played, but this more recent production starring “Front Row Joe” (el gato Joe) is a less charming example.

Segurito y el Gato Joe – Dentro de la Película from Sólo por las Niñas on Vimeo.

Thinking back to those cinema trips I remembered another pre-movie short they would always play. The explicit message is “vive sin drogas” (live without drugs), but the trippy visuals and hypnotic aesthetic undercut that ostensible moral:

The vive sin drogas campaign was bankrolled by TV Azteca, Mexico’s second-largest network, privatized in the 90′s by since-disgraced President Carlos Salinas. At the time, I remember reading reports in the Mexican and international alternative press alleging that TV Azteca owner Ricardo Salinas Pliego was linked to narco-money. More recently, Salinas-Pliego (currently the second-richest man in Mexico) has called for the legalization of drugs.

The vive sin drogas rap, its conflicted aesthetic, the whole concept of psychedelic-inspired children’s programming reminds me of one of my favorite comedy shows ever, Mr. Show, and their sketch Sam and Criminy Kraffft present The Altered State of Drugachusetts:

As an aside, my favorite podcast these days is Comedy Bang Bang, hosted by Mr. Show alum Scott_Aukerman, and featuring others from Mr. Show including Paul F. Tompkins.

As another aside, the Mr. Show character of “Drugachussets” Professor Ellis D. Traills is played by Tom Kenny, who would go on to voice Spongebob Squarepants. Nothing weird about that one…

Apparently “The Altered State of Drugachusetts” is a fairly straight take-off on H.R. Pufnstuf, a kids show reputed to be steeped in drug culture:

Marty Krofft has neither admitted nor hinted in occasional interviews that the references were made knowingly; in one case, a writer reported that when pressed as to the connotation of “lids” in the title Lidsville, “Well, maybe we just had a good sense of humor,” Krofft said, laughing.[21] His comments to another interviewer were more direct; in a Times Union profile whose author observed, “Watching the shows today, it’s hard to imagine a show with more wink-and-nod allusions to pot culture, short of something featuring characters named Spliffy and Bong-O,” Krofft conceded that the show’s title had been an intentional marijuana reference, as had Lidsville, but “that was just a prank to see if they could get them past clueless NBC executives”.[25]

Alice 05a-1116x1492

Of course, the notion of entertainment or art for children being suffused with themes and tropes of surreal intoxication predates 1970′s television… Alice’s Adventures in Wonderland and Through the Looking Glass come immediately to mind. Lewis Carroll is just one of the writers who receive critical treatment in Marcus Boon’s The Road of Excess: A History of Writers on Drugs (title drawn from William Blake). Boon’s book is by far the most thorough treatment of the subject I have ever read. Around the time the book came out, Boon gave an interview on WFMU with the riotous on-air personality and renowned proud plagiarist poet Kenneth Goldsmith (AKA Kenny G). You can listen to that interview here if you still have RealPlayer installed.

That chain of reference and reminiscence got me wondering what Marcus Boon is up to now… Turns out he has directed his efforts In Praise of Copying. Besides publishing that volume, he has turned the tables and interviewed Kenny G on appropriation, contributed to a diverse and mind-bending collection edited by “intellectual property theorist and prankster [and roboprofessor] Kembrew McLeod and dada scholar Rudi Kuenzli” entitled Cutting Across Media: Appropriation Art, Interventionist Collage, and Copyright Law. He was interviewed again recently on WFMU, this time by DJ Rupture. About this point, I’m having to work hard at not descending into envy at the orientation of this dude’s career. I have worked my various levers to acquire legal copies of all this stuff, and am working through it now…

If the digressive trajectories of my approach and work have confused you in the past, this post may serve as something of a Rosetta Stone.