Work of Anti-Art in the Age of Artificial Reproduction

The mind creates, the chaos reproduces. In the trans-gender hallucination, art objects are resurrections of the iterations of the mind — a mind that uses the chaos as a parallax to enmesh ideas, patterns, and emotions. With the devolution of the electronic environment, the mind is conceiving a point where it will be free from the chaos to consume immersions into the ejaculations of the delphic hallucination. Work of Anti-Art in the Age of Artificial Reproduction contains 10 minimal shockwave engines (also refered to as “memes”) that enable the user to make throbbing audio/visual compositions.

measuring chains, constructing realities
putting into place forms
a matrix of illusion and disillusion
a strange attracting force
so that a seduced reality will be able to spontaneously feed on it

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Brian Lamb’s work investigates the nuances of modulations through the use of slow motion and close-ups which emphasize the Artificial nature of digital media. Lamb explores abstract and painful scenery as motifs to describe the idea of imaginary hallucination. Using trailing loops, cathode rays, and allegorical images as patterns, Lamb creates meditative environments which suggest the expansion of space…

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…courtesy of The Market-O-Matic (1.0) [fine arts version] — pimping yourself to the self-referential digital arts community has never been so easy!

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